Movie Name : Coolie No. 1
STORY :
Coolie Raju mimics a rich ruler to get his first love Sarah. However, the situation becomes ridiculous when his genuine character is uncovered.
REVIEW:
It's unexplainable adoration when Sarah's (Sara Ali Khan) picture lands up in Raju's (Varun Dhawan) lap. A coolie by calling, Raju needs to make Sarah his significant other, by any means necessary. This connects to Pandit Jai Kishen's (Javed Jaaferi) retribution anticipate Sarah's money manager father Jeffery Rozario (Paresh Rawal), who had offended Kishen for presenting to him a rishta that wasn't of his own economic wellbeing. Furthermore, hence, starts the act of Raju acting like the sovereign of Singapore, to bait Sarah and her family.
Chief David Dhawan and his screenplay essayist Rumi Jaffrey don't adjust the content in this redo of their 1995 blockbuster with a similar name, however this 2020 form has everything bypassed. The scale is greater yet the eventual outcome is most certainly worse. Varun Dhawan slips into not exclusively Govinda's shoes yet additionally parodies his way of glorying, impersonating pretty much every notorious entertainer of our occasions. From Amitabh Bachchan, Salman Khan, Shahrukh Khan and Nana Patekar to at last Mithun – Varun's just concise, it appears, was to not comprehend his demonstration by any means, be totally ridiculous and simply mess around with whatever he is doing. Oddly enough however, his complexion continues to change. Sarah Ali Khan gazes all glammed upward and flawless, however that can't overshadow the requirement for her to work more enthusiastically on her comic planning. Not that she has a ton of degree in this all-male show.
Fortunately, we have some pro joke artists here to make all the difference, fairly. Also, driving one among them is Johnny Lever. The man makes you giggle, regardless he does on screen. As the blundering cop, Lever is in excellent condition and shockingly, the main voice of reason here. He is the one to focus on, who can see that Raj and Raju are for sure a similar individual… duh! This phony twofold job business appeared to be a stretch even in the nineties, yet David Dhawan and his group simply make due, maybe imagining that injecting cleaned shots of urban communities, an outwardly rich shading range and some originator couture would get the job done. All things considered, it doesn't exactly do it for us.
We likewise have Paresh Rawal (playing a catholic finance manager) continually murmuring a Goan tune when he is cheerful and saying, 'Sky in the dock," whenever he risks upon a thought. It's actually the natural capacity of the entertainer to make such crazy parts engaging. Jaaved Jaafferi and Rajpal Yadav are additionally acceptable options for some innocuous fun, yet we wish we had a greater amount of these genuine entertainers. The track of Sakshi Talsania and Sahil Vaid's sentiment seems to be constrained. They all mouth Farhad Samji's ordinarily senseless lines that are brazenly adolescent and here and there laugh commendable, contingent upon who is conveying them.
The film's music is snappy and the melodies are very much shot with every one of the trickeries of a great Bollywood potboiler set up. It makes for a decent watch, yet the 'Mirchi lagi' melody merited a greatly improved change. Gracious, and that is valid for the film too. So the main stunt to get engaged by this craziness is to concede how uproarious and trivial it is without contrasting it and the first.