Movie Name : UGLY
REVIEW :
Author chief Anurag Kashyap is in excellent condition in this anticipation thrill ride that has you by the b...ls from the beginning.
A depressed Shalini (Tejaswini Kolhapure) inclines too hard on her bourbon bottle. Your heart races as she fingers a firearm put in her bureau compartment and exactly when you think she'll pull the trigger, she returns it.
So what has pushed Shalini to the edge? All things considered, she was once an alluring collegian being charmed by two companions – (Rahul Bhat) and Shaumik Bose (Ronit Roy). She picks the ostentatious Rahul, a trying entertainer. One girl Kali (Anshika Shrivastava) later, love flies out of the window. Rahul neglects to look for some kind of employment, Shalini neglects to discover love.
This terrains her in the arms of Bose, presently a super-cop. In any case, he kills her since he hasn't failed to remember that she had insulted him for Rahul. In the midst of this, 10-year-old Kali disappears.
In one more instance of his film noir, Kashyap not just has you stuck to your seat disentangling the whodunit, he unobtrusively brings you into a vortex of feelings. It's the dull openings of his characters that has you bolted. Look at this – the bombed entertainer is a disappointed man, however a caring dad. The rock solid cop is a junky spouse, yet a principled cop. The alcoholic mother is worried about her youngster, however more worried about herself.
There are likewise scum bucket characters like Shalini's sibling (Siddhanth Kapoor) and a thing young lady Raakhee (Surveen Chawla) who go about as impetuses. Disappointed police overseer Vijay Jadhav (Girish Kulkarni) and projecting specialist Chaitanya (Vineet Kumar Singh) are managing their own voyeurism. Human instinct is caught with every one of its shortfalls, dissatisfactions and frailties. Indeed, even while the chase after the young lady turns out badly, different skeletons tumble out, adding a horrifying turn.
While the speed plunges in the subsequent half, what really matters to Ugly is the singing trustworthiness with which it is told. It's not for the timid, but rather for the individuals who will let the ethically flimsy live.