Movie Name : Andhadhun (2018)
STORY :
Dwelling in Pune, Aakash a visually impaired piano player (Aayushmann Khurrana) is aware of an outcome of a homicide. His heart urges him to report the wrongdoing he has actually not 'saw', however is there more going on than might be immediately obvious?
REVIEW :
Sriram Raghavan is known for his skill of doling out twisty neo-noir, and he experiences his standing with AndhaDhun — a perilously devilish spine chiller with touches of dull parody. Not many movie producers figure out how to break this class and Sriram is capable at it. His film adroitly questions your confidence in 'truth can be stranger than fiction'.
Truly, blind heroes make for luscious spine chillers and Raghavan guarantees he doesn't overlook anything by the same token. Propelled by a French short film L'Accordeur or The Piano Tuner (2010) by Olivier Treiner, AndhaDhun is a frightening story of dread, duplicity and wrongdoing, that keeps you as eager and anxious as can be as it prods your psyche. A 'Shout' (Hollywood slasher) scene specifically, goes about as an exemplary leap alarm.
Bragging a splendid screenplay and marvelously created account by Raghavan, the story's bold characters and consistent turns, keep you bolted. Air and grouchy, a fundamental dread of what lies ahead holds your creative mind.
While the principal half is packed with a mix of palpitating strain, tension and parody in exemplary Raghavan style, the subsequent half droops a little. The plot gets a smidgen turbulent and tangled rather than its marvelous development. The wordy discussion between characters loosens the speed and backs out the strain a little, which you don't expect by then. Be that as it may, a marvelous peak compensates for it.
Ayushmann Khurrana ahead of the pack job is a disclosure. While he loans that easy simplicity to each job he depicts, AndaDhun is the most conclusive job of his profession up until this point, that demonstrates his flexibility. Unthinkable is exceptional as consistently in a tangled job that anticipates that she should be unpredictable, helpless and underhanded. Sairat (Marathi blockbuster) entertainer Chaya Kadam and Ashwini Kalsekar leave an effect. Days gone by entertainer Anil Dhawan shows up and Amit Trivedi's music gives a frightful edge to the film. The intriguing foundation score adds as an ideal layer to the continuous procedures.
Open to different translations and eccentric from start to finish, AndhaDhun is a drawing in thrill ride that causes you to remain alert and leaves you speculating as far as possible.