Movie Name : Helmet (2020)
STORY :
'Cap' is a peculiar parody that handles the subject of condom use and investigates individuals' outlook and disposition when purchasing condoms from stores in general visibility.
REVIEW :
Indeed, even today, larger part of individuals in India are reluctant to purchase condoms from stores, and others are humiliated to considerably express the word. In any case, is it conceivable to make a film around this subject? Ends up, it is. Helmed by Satram Ramani, this parody transparently examines the utilization of 'Nirodh' (contraceptives) and the social and mental difficulties that accompany it.
Set in the modest community of Kanpur, 'Cap' spins around the tale of Lucky (Aparshakti Khurana), a wedding entertainer who fantasies about opening his own wedding ring and wedding his crush, Rupali (Pranutan Bahl), a bloom decorator at weddings. In any case, they can't be together in light of the fact that Rupali comes from a princely family and Lucky battles to earn a living wage. Frantic to bring in some fast cash to satisfy his cravings, Lucky plans with his companions—Sultan (Abhishek Banerjee) and Minus (Ashish Verma)— to loot the merchandise truck of a web based business entry. Yet, incredibly, the plundered boxes contain condoms rather than electronic contraptions. What will Lucky's best course of action be?
Satramm Ramani's heading and Rohan Shankar's screenplay are similarly intriguing all through, and the film humourously addresses the genuine subject of Indian men's abhorrence for contraception, which in the end prompts populace flood. The film bit by bit unfurls by focussing exclusively on Lucky's romantic tale, however rapidly gets steam when Lucky plunders a truck and the ceaseless fun starts. The most entertaining scenes are the point at which he begins an organization called 'Protective cap' and attempts to offer condoms to the clinical storekeeper, Shambhu (Saanand Verma), and to the overall population. The film has a lot of roar with laughter minutes that you could clutch, yet what's risky is the length and the manner in which the story rang towards the end.
The discoursed by Rohan Shankar, particularly the jokes like, "Shaadi ke liye paise chahiye the, shaadi ke baad ka standard nahi," and the manner in which Aparshakti conveys them with an emotionless expression, makes you laugh. Shubham Shirule and Ana Rehman's (JAMB) melody 'Mauka' and Tony Kakkar's 'Band Baj Gaya' are playful tracks that stay with you long after the film is finished. The foundation score by Ketan Sodha impeccably supplements the tone of the film, and the 'Mauka' topic is utilized adequately in spans.
After a line of supporting jobs, Aparshakti Khurrana dazzles in this performance driving demonstration. His comic planning is first class and can be considered as one of the authentic features of the film. Abhishek Banerjee and Ashish Verma as companions, offer great parody punches as well. Pranutan Bahl convincingly depicts a mindful and strong sweetheart.
As the film's convincing screenplay stresses, "Chahiye sabko magar maangna kisi ko nahi hain (everybody needs it however is reluctant to request it)," this is a significant issue that are all the more frequently been disregarded yet should be tended to. To sum up, the idiosyncratic parody tops with characterized exhibitions and significant social message make this film a decent watch.