Movie Name: Hello Charlie (2021)
Chirag Rastogi also known as Charlie (Aadar Jain) lands up in Mumbai from Indore with no substantial arrangement. His late dad was obligation ridden thus the enthu cutlet with no range of abilities should figure out how to reimburse the family's advance. As a convenient solution, he takes up a task to convey a gorilla from Mumbai to Diu. The cash is acceptable yet there's a trick.
REVIEW :
The creature being referred to is really an outlaw wearing a gorilla suit — industrialist Makwana (Jackie Shroff). Subsequent to tricking different banks, the banana loathing fraudster wishes to covertly escape the nation, thus the 'cunning thought'. Things clearly don't go as arranged as he gets stirred up with a genuine carnival gorilla running wild, following an irregular plane accident. Does Makwana figure out how to get away or not?
Essayist Director Pankaj Saraswat attempts to introduce a perfect, family cordial, old-school parody. In any case, what you get is an unfunny, obsolete and unamusing series of occasions that engage less and pester more. An idiotic Charlie's work looking for shenanigans actually figure out how to keep you modestly intrigued, however when the gorilla track starts, everything goes downhill. Inadequately composed lines as 'You don't care for banana, Mr Makwana?' don't help all things considered.
Charlie and Makwana's debilitating street venture from Mumbai to Diu in a truck, might have made for a respectable watch, had there been some science or abnormal kinship between the two. All you see is Charlie having a verbal looseness of the bowels and Makwana feigning exacerbation inside the fuzzy suit. En route they face different impediments and meet different forgettable characters that stretch the story and test your understanding. You know what course the film is going right all along but then, you trust that it can improve. Tragically, it doesn't and stays horrendously hackneyed.
Here is the thing about humor — you can't constrain it. Shrewd composition and comic planning can't be compromised in a parody. Without a trace of either, if the other component is solid, it can in any case disguise an anticipated plot. Indra Kumar's Dhamaal, Rohit Shetty's Golmaal and Anees Bazmee's No Entry didn't have novel stories essentially, however the parody of blunders stood apart for their unconstrained execution. The exhibitions been able to lift a common story and make senseless sound silly. The Vinay Apte-Arshad Warsi 'vehicle scene' in Dhamaal for example, isn't staggering thought insightful, however the execution made it significant. Two characters ricocheting off one another are significant in situational comedies. An over-energized Aadar and a uninterested Shroff (which is all well and good), aren't the heroes you pull for.
Last however not the least, more than Jackie, on the off chance that anybody expected to take their veil off, it's Aadar. The entertainer is good looking and can improve in the event that he disposes of his Ranbir Kapoor headache. The voice, quirks and looks are like his cousin and regardless of whether accidental, it doesn't go in support of himself. Elnaaz Norouzi is good in her short job. To get straight to the point about the film, it's about time Bollywood quits goofing off.